Author Archives: robhestand1

As writers, we’ve long grappled with the challenge of translating human emotion onto the page. The subtle quiver of a lip, the weight of unspoken words, or the raw intensity of grief – these are the elements that make our stories resonate with readers. Now, as artificial intelligence enters the creative space, we face aContinue reading “The Emotional Void: Can AI Truly Capture the Human Experience?”

David Cronenberg’s “Videodrome” (1983) stands as a masterwork in crafting psychological horror through screenwriting. The film’s exploration of technology’s impact on human consciousness was prescient for its time and remains startlingly relevant today. For writers looking to create stories that delve into technological anxieties, “Videodrome” offers invaluable lessons in building tension, developing metaphor, and constructingContinue reading “‘Videodrome’: The Screenwriting of Technological Horror”

Introduction In cinema, the power of a story often lies in how it engages our senses, pulling us into a world that is rich, textured, and immediate. When it comes to writing screenplays, this engagement is not just about what the audience sees or hears; it is about evoking an entire sensory experience that transcendsContinue reading “Screenwriting for the Senses: The Tactile World of ‘Amour’”

In recent months, the writing community has been abuzz with discussions about artificial intelligence and its potential impact on our craft. From novelists to screenwriters, creators are questioning their future in an increasingly AI-driven world. Let’s examine the current state of AI writing capabilities and explore why human writers remain essential to the creative process.Continue reading “Preserving Human Creativity: Why AI Can’t Replace Writers (Yet)”

The Western genre is one of the most enduring in American cinema, serving as a mirror to shifting societal values and changing interpretations of morality, heroism, and the American identity. From the expansive deserts of John Ford’s Stagecoach (1939) to the gritty modern landscapes of Hell or High Water (2016), the genre has transformed dramatically.Continue reading “The Evolution of Westerns: From ‘Stagecoach’ to ‘Hell or High Water’”