In the pantheon of cinematic masterpieces, Sidney Lumet’s 12 Angry Men holds a unique place as a taut, claustrophobic drama that unfolds entirely within the confines of a jury room. Adapted from Reginald Rose’s teleplay, the 1957 film is a masterclass in storytelling, using its single location not as a limitation, but as a powerfulContinue reading “The Art of the Single-Location Film: A Case Study of ’12 Angry Men’”
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A.I. in Screen Trade 